In my work I try to summon the conflict between the mere appearance of an object and assigning its existence in reality. Being aware that meaning and formation of the signifier are caused by processes of differentialisation I create situations evoking these processes and undermining them alike.

It is about fragmentation, disassembling, reconstruction and shifting; as behind objects, pictures and all these copies there is something hiding, eluding itself but still being part of them. The idea, a construct of our mind, denominates it and helps to cloak it in meaning. But, what we call idea, merged with the object to an almost inextricable entity, is something added. The object as pure material phenomenon disappears in the mist of those meanings, by which we are trying to grasp a world which never seemed to belong to anyone else than us. Is this illusion to be broken?

The coming into existence of a lasting emergence is in the center of my work, being initiated by room orchestration and co-relation of objects. Processes of shifting at the layers of meaning, context and materiality (e.g. questioning the object being classified as “art”) are supposed to occur. The influence of the differential fabric constituting signifier and signified are brought to bear, as well as breaking these structures demonstrates our methodology of thinking.